Finish Ticket’s Van Gets Broken Into

Finish Ticket, an indie rock band from San Francisco, had their van broken into last night, July 17, in San Francisco on the corner of Golden Gate and Larkin. Stolen were a 2012 Candy Red American Standard Stratocaster and an Arctic White Mexican Standard precision bass. The theft occurred around 11:30pm – 12:15am.

Meeting in high school, Finish Ticket have been together since 2008, and recently released their debut album on May 19. The band consists of Brendan Hoye (vocals), Alex DiDonato (guitar), Michael Hoye (bass), Gabe Stein (drums), and Nick Stein (keyboard). Currently on tour in support for their album, Tears You Apart, Finish Ticket have dates through August, finishing the tour in Studio at Webster Hall in New York City.

For inquiries on the stolen instruments, contact their manager Warren Wyatt at (808) 333-4224.

Banshee Bones Making New Music Video

LA-based experimental rock band, Banshee Bones are currently working on an music video for “Dark Depths,” the opening track on their new record, Birds of Prey. Banshee Bones are currently creating sets for the video, as they decided to do stop motion with clay. Birds of Prey was released on October 2nd, 2013 and have played shows in support of it over the course of this last year.

Members, Eugene Rice (vocals), Ryan Rice (drums), Joe Perez (guitar), and Salem Romo (bass) all met in the famous music school in Los Angeles, Musicians Institute, and from then on, they have been creating music together.

You can visit Banshee Bones on their Facebook, Twitter, and their website. For more, Melodic Tree will also be home to up-to-date information on Banshee Bones on a regular basis.

The Drums Announce New Album

Two days after the release of their new single, “Magic Mountain,” the Drums have announced their new and third album, Encyclopedia, due to release on Septemeber 23. The Brooklyn indie-pop duo released the track listing, cover, and title for their follow-up to the 2011 release, Portamento. 

Jonny Pierce, in a recent interview with “Spin, stated, “Encyclopedia is full of magic and surprise while maintaining a serious, more weighty tone throughout. We were feeling very angry, confused, and alone when we made this album, and we wanted to be very honest this time around, even if being honest meant making some people uncomfortable. We’ve left the beach for higher ground, always searching for hope.”

The Drums has also announced an extensive US tour in Septemeber, dates can be found on their website.

The track listing:

1. “Magic Mountain”
2. “I Can’t Pretend”
3. “I Hope Times Doesn’t Change Him”
4. “Kiss Me Again”
5. “Let Me”
6. “Break My Heart”
7. “Face Of God”
8. “U.S. National Park”
9. “Deep In My Heart”
10. “Bell Laboratories”
11. “There Is Nothing Left”
12. “Wild Geese”

Divided Heaven Announces Summer Tour

Divided Heaven, an LA-based project by Jeff Berman, has announced summer tour dates, including dates with Vans Warped Tour. Touring in support of his new album, Youngblood, which was released on March 25 2014, Divided Heaven has been on tour extensively this year, going around the states, and most recently, Europe. He is also going to tour in Japan after these summer dates.

As a solo project, singer-songwriter, Berman also has worked on various other projects, such as the band, Protagonist. Living in Washington DC, Berlin, and currently Los Angeles, Berman draws lyrical influences from his experiences in these cities.

The dates are:

July 17 – Brooklyn, NY – Lulu’s.
July 20 – Shakopee (Minneapolis), MN – Canterbury Park (Warped Tour)
July 21 – Fargo, ND – The New Direction
July 22 – Winnipeg, MB – Le Garage
July 23 – Grand Forks, ND – Ojata Records
July 24 – Mankato, MN – What’s Up Lounge
July 25- Omaha, NE – Josephine’s
July 26 – Normal, IL – Firehouse Pizza and Pub
July 30 – Milwaukee, WI – Marcus Amphitheater (Warped Tour)
July 31 – Bonner Springs (Kansas City), KS @ Crickett Wireless Amphitheater (Warped Tour)
August 2 – Salt Lake City, UT – Utah State Fairpark (Warped Tour)
August 3 – Denver, CO – Sports Authority Field at Mile High (Warped Tour)
August 4 – Denver, CO – Illegal Pete’s (South Broadway)
August 5 – Laramie, WY – Crowbar and Grill
August 6 – Casper, WY – Elevation
August 7 – Greeley, CO – Moxi Theater
August 8 – Ft. Collins – Surfside 7

For updates on Divided Heaven, you can go on his Facebook, TwitterTwitter, and his website.

Strange Desire – Bleachers

Whether it is being the frontman of Steel Train or a member of the immensely popular band, fun., it seems that Jack Antonoff  has made a name for himself in the pop scene. Following the success of fun.’s sophomore album, Some Nights, Antonoff has written for various names in pop such as Tegan and Sara, and most recently, with his new project, Bleachers, Antonoff has drifted from the typical sound of fun. and moved on towards a very 80’s-inspired vibe to it, even when he was born in the middle of the decade. There seems to be quite of bit of compassion hiding behind the synthesizer and upbeat rhythms on Strange Desire. The buoyant sound on this album is brought with catchy guitar riffs, energetic synthesizer melodies, and moody vocals.

Even if he doesn’t have the vocal chops of Nate Ruess of fun., there is still something to Antonoff’s voice that draws listeners in. However, he seems to change his tone and even the depth of his voice throughout Strange Desire, which gives off a feeling that the album has multiple lead vocalists even though it is just Antonoff. Even with these abrupt changes in his voice, Antonoff still shows that he is a respectable frontman. Also, the one-off collaborations with seemingly random musicians on this album, like Yoko Ono, seems to collide with the other songs on this album.

Strange Desire is filled with synth-heavy melodies, reminiscent of bands such as the Buggles. With the lighthearted tracks throughout such as “I Wanna Get Better,” there seems to be much darker themes to them, dealing with loss, and the coping that comes after. There are many elements of 80’s pop throughout this record and could fit well into the soundtrack of a coming-of-age movie, with its jangly guitar riffs and upbeat rhythms and synthesizers.

This album will capture the hearts of anyone who is nostalgic for anything John Hughes and draw in a younger audience at the same time. With cheerful melodies, Antonoff seems to pass off his innermost troubles as something that is light and happy and does so in a catchy way.

Winter – Vancouver Sleep Clinic

18-year-old Tim Bettinson, better known by his adopted moniker as Vancouver Sleep Clinic, is an ambient artist who’s new EP, Winter resembles a cold, reclusive, winter day. Created over months of writing and recording, Winter is a chilly EP and has soaring falsettos that are greeted with synthy instrumentation, there is obvious Justin Vernon/Bon Iver influences scattered across Vancouver Sleep Clinic’s sound. However, this similarity does not takeaway from this EP’s individuality and these six beautiful tracks shows that Winter is only the beginning of this young musician’s sound.

With soaring falsettos, the vocals on this EP are stunning and throughout Winter, the vocals keep its distance while maintaining the focus of the EP on them. The lyrics on this EP evokes a feeling of winter, much like its namesake, and with his pop influences, Bettinson sings about love. Even as the EP grows in shape, with growing instrumentation and differentiating rhythms, Winter maintains sincere and vulnerable lyrics. The airiness in Bettinson’s voice gives a frosty and solemn mood to the EP. With vague narratives, allowing the listener to interpret the songs in their own way, the themes throughout Winter are clear and yet, never overpowering.

Exploring atmospheric pop, the melodies in Winter are beautiful and emotional, with expressive guitars and gentle piano. Rhythms consist of simple drum beats and glitch pads. A constant percussion section throughout Winter keeps the EP from falling into As the EP progresses tracks such as “Vapour” explodes as the song moves forward into its climax with broader instrumentation. Bettinson’s music is far from minimalistic, there is always room for evolving in his sound, especially on this EP. It is a tough move to insert an interlude, “(Aftermath),” for an up-and-coming artist, especially on a six-track album, but, on this EP, Bettinson seems to know that it will fit and hence, inserts it with beauty.

No matter if you love Bon Iver or not, there is something in Vancouver Sleep Clinic’s sound that is worth listening to.

The Melodic Tree’s Weekly Playlist

1. Lonesome – Dr. Dog

2. Turn on Me – The Shins

3. We Will Become Silhouettes – The Postal Service

4. Havana Affair – Ramones

5. Put Me to Work – PAPA

6. Dancing Song – Little Comets

7. High – Young Rising Sons

8. No Fit State – Hot Chip

9. Cheated Hearts – Yeah Yeah Yeahs

10. Wolf Like Me – TV On the Radio

11. Small Stakes – Spoon

12. Little Numbers – BOY

13. Mayonnaise – The Woolen Men

14. Old White Lincoln – The Gaslight Anthem

15. Hang Loose – Alabama Shakes

16. Lady Touch – Sugar Glyder

17. Santa Fe – Beirut

18. If You Wanna – The Vaccines

19. A Little – Carlos Arzate and the Kind Souls

20. Doctor – Finish Ticket

Melodic Tree’s Weekly Playlist

R.I.P Tommy Ramone, Last Founding Member of the Ramones

Known for his role as the founding drummer in the Ramones, Tommy Ramone has passed away as announced by the band’s official Facebook page. As the last surviving member, Tommy was 65 at the time of his death. He started the Ramones in 1974 with his friends in high school, creating one of the most influential bands in rock music.

Joey Ramone, the first member to pass, died from lymphoma, Dee Dee quickly followed the year after, dying of a heroin overdose, and Johnny died of prostate cancer in 2004.

Tommy died of bile duct cancer yesterday, July 11, under hospice care after receiving treatment, according to BBC News. Ramone was the drummer from 1974 to 1978 and co-produced their first three albums.

Credited for their shaping of rock and for the creating of punk rock, the Ramones remain a major influence for many musicians today, even though they never reached commercial success during the time of the band.

The announcement was followed by a quote of Tommy’s from 1978, that read, “It wasn’t just music in The Ramones: it was an idea. It was bringing back a whole feel that was missing in rock music – it was a whole push outwards to say something new and different. Originally it was just an artistic type of thing; finally I felt it was something that was good enough for everybody.”

Turn Blue – The Black Keys

There’s something about the Black Keys that keeps people coming back to their music, whether it is their bluesy vocals or their raw garage rock instrumentation. On their eighth-studio and newest album, Turn Blue, the Black Keys show more psychedelic and soul influence. The Black Keys consist of the duo, Dan Auerbach, guitar and vocals, and Patrick Carney, drums. Even with different sounds and influences in Turn Blue, there is still elements of the classic blues-rock sound of the Black Keys. Much of the song-writing revolved around Auerbach’s messy and highly publicized divorce, giving the album a much more moodier tone to it.

Lyrically, Turn Blue varies between simplistic story telling, such as in the track, “Fever,” and a narrative about heartbreak, especially in the nearly seven minute long opener, “Weight of Love.” However, this variety and sort of accessibility gives these tracks a fresh feel to them. The lyrical shift from record to record for the Black Keys is dramatic undoubtedly because of the emotional impact on Auerbach after his divorce in 2013. The lyrics are straightforward and Auerbach delivers these with the same vocals he has in virtually all of the Black Keys’ previous albums.

With a take on a more soulful sound while sticking to their typical blues rock tone. The coexistence of the Auerbach’s guitar and Carney’s drumming blends together fluidly as much as the Black Keys’ previous releases. The guitar riffs are  smart and fluid and Auerbach has developed a style that unique to him. Carney’s understanding drumming meets the guitar with shifting tempos and beats that hard to beat. The bass lines on Turn Blue is one of the strongest elements to this album, giving it a much funkier sound than if it stood back behind the drums and guitar.

“Gotta Get Away” is a bold finish to this slow album but with this upbeat song, it seems to remind listeners that although Turn Blue is a drastic step away from the old Black Keys, they still have what drew them in in the first place.

Singles – Future Islands

It is hard to resist the emotional synthpop sound of Baltimore-based trio, Future Islands. Even on their fourth and newest album, Singles, Future Islands can still pull the heartstrings of anyone who listens to their potent music. Meeting while studying in Greenville, North Carolina, the trio consists of Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (vocals). Future Islands, especially on Singles, have a sound similar to early Killers albums.

Future Islands’ performance on “Late Show with David Letterman” was a landmark for their career as it was the most viewed musical guest in the show’s history. This performance is undoubtedly a showing of the band’s powerful music, especially Herring’s singing and dancing, which seems to have had the most influence in getting the band as much attention as they have been getting recently.

Herring has a vocal delivery that is unparalleled among other singers as he has a sort of growl in his voice and conveys a certain emotional depth that is hard to find elsewhere. With songs about devastating heartbreak, Herring plays with the lyrics in a melodramatic way. He grinds his voice throughout the album and during Future Islands’ live performances, and gives off an emotion that is hard to find elsewhere. Herring’s impulsive singing seems to bring the album together as he pulls in listeners with his attitude.

With seemingly blissful melodies that leave listeners in awe, there is something about the instrumentation on Singles that sets Future Islands into something that is unique. Cashion’s bass lines have a voice of their own in this album and seems to give the band  a much bigger sound. “Fall From Grace,” one of the last songs on the album, has a spotlight on Cashion’s guitar and with the slow tempo of this song, there seems to be a much more sorrowful tone on this track compared to the other songs, which is a considerable feat considering all of the songs deal with such melodramatic themes.

Leaving the listener in a cross between joy and sorrow, Future Islands is one of the few bands that can bring on so many emotions at once in one album. Whether it is the powerful vocals of Herring or the vast instrumentation by Welmers and Cashion, this album is sentimental and yet, restrained at the same time, therefore giving it an ecstatic sound to it.